Dir(s). Phil Guidry, Simon Herbert, and David Whelan
I cannot believe how well done this movie is. They used still photos as the found artifact to piece together what amounts to be a zombie attack on a border town. There was some video used for found footage, but it was used as a device that I don’t want to spoil because it was a great way to work into the trope. Not only does it have great narrative mechanics going for it, but it also has a social conscience, which is laid bare and is rare in horror. Horror and Sci Fi can be used to communicate subtleties of social ills, but this movie wore them on its sleeve and it was fantastic. I cannot believe how well executed this movie was and how truly unnerving it was.
One of the greatest assets this movie capitalizes upon is once again its believability. With the current state of political corruption, dehumanization of minorities, and the possibility of environmental issues culminating into a natural disaster this movie is at the nexus of great horror storytelling. Couple that with effective mockumentary formatting that uses not only found audio files, but also still camera frames. Those frames show just enough to give the impression of a nightmare unfolding on the fateful night in question. It would be unfair to say that Savageland is another zombie movie to throw on the pile. And that is because while it does dabble in the zombie tropes, it is far more than just a movie of the undead attacking a border community.